What's happening?

Located in Gallery 7 of Art Gallery of South Australia

This tintype photographic series, CIPX Kaurna Miyurna, celebrates important members of the Kaurna community in Tarntanya (Adelaide), on Kaurna Yarta.

These works form part of the Critical Indigenous Photographic Exchange (CIPX), an international Indigenous portraiture project first conceived by Will Wilson, a Diné (Navajo) artist based in Santa Fe, New Mexico, USA. The CIPX project invites Indigenous photographers from around the world to create portraits of members of their local communities using the nineteenth-century tintype process. Kaurna artists Damien Shen and James Tylor have contributed to this contemporary project, which seeks to recontextualise early photographic documentation of Kaurna people produced by European colonists and anthropologists in South Australia during the nineteenth and early twentieth centuries.

These CIPX portraits differ significantly from earlier images of Aboriginal people taken by Europeans. The project is designed to prioritise agency and respect for contemporary Indigenous sitters. Historically, European colonial photographers controlled the visual representation of Aboriginal subjects and retained ownership of the original images.

The CIPX process centres the Indigenous sitter’s autonomy. Participants have control over how they are represented, and the original tintype photographs are returned to the sitter. With the permission of each sitter, Shen and Tylor exhibit reproductions of the works, presented in large scale on aluminium.

Are you looking for a creative way to make new friends and connect with others who care about the environment?

Do you enjoy making things with your hands and giving old materials a new purpose?

Would you like to learn practical upcycling skills in a relaxed, welcoming space?

♻️Eco Creators Club♻️ is a hands-on workshop series for young people aged 12 – 15 years, exploring creative ways to reduce waste through upcycling and repurposing everyday items. Participants will have the opportunity to learn new skills, express their creativity and connect with others through shared making experiences. $50, bookings essentials. Fortnightly workshops

Across five workshops, participants will transform discarded and unwanted materials into unique handmade creations while discovering how small actions can help reduce waste and support a more sustainable future. The sessions will run Wednesdays fortnightly during Term 3 from 3:30pm–5:30pm at the Port Environment Centre:

22nd July – Felt Creatures 5th August – Fuzzy Sock Birds 19th August – Men’s Tie Bags 2nd September – Broken Mug to Mini Cactus Pot 16th September – Needle Felt Pictures

Located in Galleries 8-11

Turrangka…in the shadows surveys over a decade of James Tylor’s practice and brings together the most comprehensive selection of his unique daguerreotypes, expansive digital photographic series and hand-made Kaurna cultural objects.

The exhibition title is drawn from a Kaurna word, highlighting a significant ongoing aspect of Tylor’s practice: the learning and sharing of his Indigenous language. As well as shadow, turra also translates to reflection, image and mirror.

At the core of Tylor’s practice is a continuously innovative program of photographic intervention, disrupting the image to redact or highlight visual information. He systematically alters the reading of Country by excising information from the photographic print or inscribing language and place-names onto the surface of his daguerreotypes.

These photographs provide a glimpse into Tylor’s broader practice of recreating Kaurna cultural artefacts, architecture and ephemera. Antiquated analogue photographic processes including Becquerel daguerreotypes and hand-tinting are also used to generate a new archive of pseudo-historical images. Tylor’s recreations point to the absence of these images from the hegemonic depiction of colonial Australia’s visual history.

A UNSW Galleries, Sydney exhibition, presented in partnership with Art Gallery of South Australia. Presented during SALA Festival.

The AUKUS deal was conceived in secret and with deception — and continues to be shrouded in secrecy despite the incredibly high stakes and massive cost. Our government has already spent $10 billion of our taxes on US and UK shipyards at a time when much of the world is in conflict and Australians are suffering from a cost-of-living crisis.

A group of former MPs, retired military and naval officers, leading strategists and academics, human rights lawyers and union leaders are committing to an independent Public Inquiry into AUKUS. This Inquiry is coordinated by the Australian Peace and Security Forum (APSF) — ensuring it is grounded in expertise, independence, and a commitment to serious evidence-based examination.

We invite written, oral, and video submissions from Australian citizens, organisations, and those in the Pacific and wider region with an interest in the AUKUS security partnership. All views are welcome and anonymous submissions are accepted. Submissions close September 1st, 2026.

This petition supports the demands of the Hayes family, Traditional Owners of Kuyunba, the land Pine Gap Facility occupies. This petition is organised by the Close Pine Gap Sacred Land Back Convergence.

Pine Gap is a US facility near Alice Springs / Mparntwe on Arrernte Country. Pine Gap has been used for intelligence gathering that is implicated in multiple imperial wars.

Go to petition to read the Hayes family’s letter and sign your support.

Located in Gallery 7 of Art Gallery of South Australia

This tintype photographic series, CIPX Kaurna Miyurna, celebrates important members of the Kaurna community in Tarntanya (Adelaide), on Kaurna Yarta.

These works form part of the Critical Indigenous Photographic Exchange (CIPX), an international Indigenous portraiture project first conceived by Will Wilson, a Diné (Navajo) artist based in Santa Fe, New Mexico, USA. The CIPX project invites Indigenous photographers from around the world to create portraits of members of their local communities using the nineteenth-century tintype process. Kaurna artists Damien Shen and James Tylor have contributed to this contemporary project, which seeks to recontextualise early photographic documentation of Kaurna people produced by European colonists and anthropologists in South Australia during the nineteenth and early twentieth centuries.

These CIPX portraits differ significantly from earlier images of Aboriginal people taken by Europeans. The project is designed to prioritise agency and respect for contemporary Indigenous sitters. Historically, European colonial photographers controlled the visual representation of Aboriginal subjects and retained ownership of the original images.

The CIPX process centres the Indigenous sitter’s autonomy. Participants have control over how they are represented, and the original tintype photographs are returned to the sitter. With the permission of each sitter, Shen and Tylor exhibit reproductions of the works, presented in large scale on aluminium.

Are you looking for a creative way to make new friends and connect with others who care about the environment?

Do you enjoy making things with your hands and giving old materials a new purpose?

Would you like to learn practical upcycling skills in a relaxed, welcoming space?

♻️Eco Creators Club♻️ is a hands-on workshop series for young people aged 12 – 15 years, exploring creative ways to reduce waste through upcycling and repurposing everyday items. Participants will have the opportunity to learn new skills, express their creativity and connect with others through shared making experiences. $50, bookings essentials. Fortnightly workshops

Across five workshops, participants will transform discarded and unwanted materials into unique handmade creations while discovering how small actions can help reduce waste and support a more sustainable future. The sessions will run Wednesdays fortnightly during Term 3 from 3:30pm–5:30pm at the Port Environment Centre:

22nd July – Felt Creatures 5th August – Fuzzy Sock Birds 19th August – Men’s Tie Bags 2nd September – Broken Mug to Mini Cactus Pot 16th September – Needle Felt Pictures

Located in Galleries 8-11

Turrangka…in the shadows surveys over a decade of James Tylor’s practice and brings together the most comprehensive selection of his unique daguerreotypes, expansive digital photographic series and hand-made Kaurna cultural objects.

The exhibition title is drawn from a Kaurna word, highlighting a significant ongoing aspect of Tylor’s practice: the learning and sharing of his Indigenous language. As well as shadow, turra also translates to reflection, image and mirror.

At the core of Tylor’s practice is a continuously innovative program of photographic intervention, disrupting the image to redact or highlight visual information. He systematically alters the reading of Country by excising information from the photographic print or inscribing language and place-names onto the surface of his daguerreotypes.

These photographs provide a glimpse into Tylor’s broader practice of recreating Kaurna cultural artefacts, architecture and ephemera. Antiquated analogue photographic processes including Becquerel daguerreotypes and hand-tinting are also used to generate a new archive of pseudo-historical images. Tylor’s recreations point to the absence of these images from the hegemonic depiction of colonial Australia’s visual history.

A UNSW Galleries, Sydney exhibition, presented in partnership with Art Gallery of South Australia. Presented during SALA Festival.

From 1–30 September 2026, a month long online community editing event dedicated to all topics covered under WikiProject Organized Labour including strike actions, trade unions, labor law, union busting etc..

This edit-a-thon is inspired by the Wiki Workers United campaign and shows its solidarity by improving coverage of union-related topics across the different wiki projects in a policy compliant manner.

What will we be doing?

5:30-6:00: Welcomes, introduction to the topic.

6:00-6:45: We will talk a bit about what your story means, and why you may share your story. You do not need to share anything you don’t want to.

Your story can look different to other stories, & can be about lots of different things! You may think about how you may share a personal story, a professional story, or many other types of stories!

We will be discussing about how you may share your story and why. You do not need to share anything during the session if you don’t want to, & we ask stories shared are kept appropriate and mindful of others.

6:45-7:00: Break

7:00-7:30: We will have final conversations and wrap up!

Catering will be provided!

Who is this for?

Young people with disability aged 16-30 years old who

Live in South Australia (online or in-person attendance)

About EYDN

Enabled Youth Disability Network (EYDN) is an organisation run by and for young people with disability between 18-30 years in South Australia.

EYDN is dedicated to amplifying the voices and aspirations of young persons with disability through systemic advocacy, co-designing and facilitating peer networks and capacity building activities, in partnership with Purple Orange. EYDN is funded by the Australian Government Department of Health, Disability and Ageing.

Our monthly peer network meetings provide opportunities to create community, develop self-advocacy skills and build confidence and knowledge in areas such as education, employment, independent living skills and human rights.

For any questions, please contact ninac@purpleorange.org.au

You can also visit the EYDN Website to find out more about what we do. Connect with us on Instagram and Facebook!

Our events

You do not need to be an NDIS participant. You do not need to have a diagnosis. Disability identity can mean many different things.

This is a free event. We also provide catering during the break.

Please let us know your access requirements via ticket registration so we can best accommodate.

Our sessions are accessible and LGBTQIA+ friendly.