BEGIN:VCALENDAR PRODID;X-RICAL-TZSOURCE=TZINFO:-//Koalagator//EN CALSCALE:GREGORIAN X-WR-CALNAME:Seedbomb METHOD:PUBLISH VERSION:2.0 BEGIN:VEVENT CREATED;VALUE=DATE-TIME:20260804T103621Z DTEND;VALUE=DATE:20261102 DTSTART;VALUE=DATE:20260626 DTSTAMP;VALUE=DATE-TIME:20260804T103621Z LAST-MODIFIED;VALUE=DATE-TIME:20260804T103621Z UID:https://seedbomb.au/events/700 DESCRIPTION:This event runs from Friday\, June 26\, 2026 at midnight thro ugh Sunday\, November 1\, 2026 at midnight.\n\nDescription:\nLocated in Gallery 7 of Art Gallery of South Australia \;\n \;\nThis tintype photographic series\, CIPX Kaurna Miyurna\, celebrates important member s of the Kaurna community in Tarntanya (Adelaide)\, on Kaurna Yarta. \;\n \;\nThese works form part of the Critical Indigenous Photographi c Exchange (CIPX)\, an international Indigenous portraiture project firs t conceived by Will Wilson\, a Diné (Navajo) artist based in Santa Fe\, New Mexico\, USA. The CIPX project invites Indigenous photographers from around the world to create portraits of members of their local communit ies using the nineteenth-century tintype process. Kaurna artists Damien Shen and James Tylor have contributed to this contemporary project\, whi ch seeks to recontextualise early photographic documentation of Kaurna p eople produced by European colonists and anthropologists in South Austra lia during the nineteenth and early twentieth centuries. \;\n \;\n These CIPX portraits differ significantly from earlier images of Aborigi nal people taken by Europeans. The project is designed to prioritise age ncy and respect for contemporary Indigenous sitters. Historically\, Euro pean colonial photographers controlled the visual representation of Abor iginal subjects and retained ownership of the original images. \;\n&# 13\;\nThe CIPX process centres the Indigenous sitter's autonomy. Partici pants have control over how they are represented\, and the original tint ype photographs are returned to the sitter. With the permission of each sitter\, Shen and Tylor exhibit reproductions of the works\, presented i n large scale on aluminium.\n\nTags: first-nations\, Kaurna\, Art\n\nImp orted from: https://seedbomb.au/events/700 URL:https://www.agsa.sa.gov.au/whats-on/exhibitions/cipx-kaurna-miyurna-c ritical-indigenous-photographic-exchange-with-the-kaurna-community/ SUMMARY:Critical Indigenous Photographic Exchange (CIPIX) Kaurna Miyurna LOCATION:Art Gallery of South Australia: 490 North Terrace\, Adelaide\, A delaide 5000 SEQUENCE:1 END:VEVENT BEGIN:VEVENT CREATED;VALUE=DATE-TIME:20260804T103800Z DTEND;VALUE=DATE:20261102 DTSTART;VALUE=DATE:20260731 DTSTAMP;VALUE=DATE-TIME:20260804T103800Z LAST-MODIFIED;VALUE=DATE-TIME:20260804T103800Z UID:https://seedbomb.au/events/701 DESCRIPTION:This event runs from Friday\, July 31\, 2026 at midnight thro ugh Sunday\, November 1\, 2026 at midnight.\n\nDescription:\nLocated in Galleries 8-11 \;\n \;\nTurrangka…in the shadows surveys over a de cade of James Tylor’s practice and brings together the most comprehensiv e selection of his unique daguerreotypes\, expansive digital photographi c series and hand-made Kaurna cultural objects. \;\n \;\nThe exhib ition title is drawn from a Kaurna word\, highlighting a significant ong oing aspect of Tylor’s practice: the learning and sharing of his Indigen ous language. As well as shadow\, turra also translates to reflection\, image and mirror. \;\n \;\nAt the core of Tylor’s practice is a co ntinuously innovative program of photographic intervention\, disrupting the image to redact or highlight visual information. He systematically a lters the reading of Country by excising information from the photograph ic print or inscribing language and place-names onto the surface of his daguerreotypes. \;\n \;\nThese photographs provide a glimpse into Tylor’s broader practice of recreating Kaurna cultural artefacts\, archi tecture and ephemera. Antiquated analogue photographic processes includi ng Becquerel daguerreotypes and hand-tinting are also used to generate a new archive of pseudo-historical images. Tylor’s recreations point to t he absence of these images from the hegemonic depiction of colonial Aust ralia’s visual history. \;\n \;\nA UNSW Galleries\, Sydney exhibit ion\, presented in partnership with Art Gallery of South Australia. Pres ented during SALA Festival.\n\nTags: first-nations\, Kaurna\, Art\n\nImp orted from: https://seedbomb.au/events/701 URL:https://www.agsa.sa.gov.au/whats-on/exhibitions/james-tylor-turrangka in-the-shadows/ SUMMARY:James Tylor: Turrangka…in the shadows LOCATION:Art Gallery of South Australia: 490 North Terrace\, Adelaide\, A delaide 5000 SEQUENCE:1 END:VEVENT END:VCALENDAR